Lorenz Rychner from Recording Magazine recently had a chance to work with the GT 062E, “I didn’t come close to maxxing out the capabilities of the GT 062E at my place. It is good to know that it was built to handle many more tracks and realtime demands than I can throw at it. Glyph keeps testing its products with a variety of DAWs, so if you tell them exactly what your demands are, they will know what you are talking about. Sure, we can all buy small and inexpensive 1-Terabyte drives for all kinds of non-critical purposes, but for real- time data exchange where the slightest hiccup would be a disaster, something as solid as the GT 062E is a must.” Check out the whole review here.

Barry Rudolph, who writes for Music Connection and Mix Magazine, recently added two GT 062E drives to his arsenal of Glyph storage. “The GT 062E has two hard drives running inside but you wouldn’t know it by its quiet operation. My two new GT 062E drives now makes four Glyph drive units in my Pro Tools HD Accel rig. I figured out long ago that, to assuage my fears of losing record company assets due to a drive failure, I needed the “real deal”–professional level hard drive storage.” Read more in the latest digital edition of Music Connection Magazine, or stop by Barry Rudolph’s site for the story.

Headgear Recording recently launched the new information and review site freqControl. Check out their site for  in-studio videos and gear reviews, including a review of the GT 050Q.

Music Connection and Mix Magazine tech-journalist Barry Rudolph recently tested a PortaGig 800. “Since I received mine, I have been trying to burn it out with no luck. It works flawlessly and is the main reason why all my Pro Tools drives are Glyph drives.”
Here’s the whole review.

The PortaGig 800 was included in Barry Braverman’s informative article about backup strategies for cameras that use a tapeless workflow. “The Glyph Technologies PortaGig is simply the best, most reliable bus-powered hard drive on the market. Beautifully machined and rugged as hell, the unit is constructed with the best materials I’ve seen in a portable unit. For high-end shooters offloading P2 and SxS camera files in the field, this is the portable bus-powered drive to have”.
Here’s the whole story.

Barry Rudolph, contributor to Mix Magazine, reviewed our GT 062. “I chose RAID 1 mode to offer to my mixing clients the added safety that all of their audio files and mixes would be redundantly stored on the 062. I got the same speed, quiet operation and track count (as high as 120 with low edit densities) as my 250GB GT 050Q — with all the same performance in my Pro Tools HD3 Accel rig. The big difference was a sense of confidence that all my hard work was stored safely.
Here’s the review from Mix Online.

FutureMusic recently reviewed the GT 062. “Glyph delivers an external hard drive with professional-grade components, a world-class warranty, & an innate understanding of their customers.”
Here’s the whole review.

Mitch Gallagher, Sweetwater’s Editorial Director, tested the GT 062 and had this to say, “I used the GT 062 on three computers; it performed flawlessly on each, no matter what challenges I threw at it. I tried all four drive modes. The performance and security provided by the Glyph GT 062 makes it a no-brainer for the studio and for live recording applications, or just as a backup/archiving solution for all your data storage needs. Highly recommended.”

Richard Wentk testing the GT 062 and had this to say, “The GT 062 is portable, it works out of the box, and offers data recovery for peace of mind. Given the relatively low cost, it punches above its weight, and has a lot to recommend it.”
Check out the review.

The GT 051 was mentioned in John O’Mahoney’s informative article about data protection and backup strategies. A “must read” for any DAW user.
Here’s the article.